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Showing posts with label Self-Direction. Show all posts
Showing posts with label Self-Direction. Show all posts

Friday, April 1, 2011

Coming Attraction and SKYPE ANALYSIS

I had fun with getting contacts and figuring out technology last night, so I'll be posting later today what I should have posted last night. I am looking forward to this post about SOUND and DIFFERENT SPOKEN INTERPRETATIONS.

So skyping that Shakespeare scene was one heck of an experience. I did not actually participate in the way of having lines and reading, but I did listen in since it very much had to do with my topic. I noticed that having just the sound made a big difference in the understanding of the text! That may sound ridiculously obvious, but really, this made you really listen to the actual words. Since we couldn't see who was speaking, we had to listen to the words and try to determine the character that way. I concluded that it is important to have a means of distinguishing the characters from each other in a way that is audible. Think about it. Even if you were watching a play, and all the characters sounded just the same, then the beauty of the play would be rather lost, wouldn't it?

Thursday, March 24, 2011

A More Organized Self with Re-Direction in Focus of Sound and Text

So in deciding that my theme was how SOUND FOCUSES TEXT, I just jumped right in and started doing applications and analyses instead of doing research. Silly me. So I've decided to take a step back and finish what  I started the RIGHT way. Here is a list of where I am going.


1. How does the pronunciation of a word change meanings?
I will be looking into the front of our class text The Necessary Shakespeare, which has a fascinating section on just this. I will also be looking a little bit into the Great Vowel Shift, which my classmate David pointed out to me in his comment on a previous post.


2. How do performance aspects influence how the sounds focus the text?
I want to look at different productions, and see if plays versus movies make a large difference in the sound. What about a live outdoor performance? What about a lavish silver screen production? 


3. How do individual performances bring out different aspects of the text and/or define characters?
This is one that I'm really interested in. I have a book, Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theater, Robert Weimann, (I mentioned it in that same post that David commented on) that has to do with this very aspect. It's also what I looked at when I was comparing and contrasting performances, as in my post on A Winter's Tale, and my post on The Taming of the Shrew and Much Ado About Nothing.


These are what I am going to be focusing on, breaking them down into weeks and days. I'm making a schedule of when I'm posting/focusing on each topic, but I know that my next post will be on the first item. I noticed while making my sources page that I need to actually get sources that apply to my topic! So here I go, off into the world to get cracking on the research part of this research blog!