How do performance aspects influence how the sounds focus the text?

Continuing in my vein of SOUND FOCUSING TEXT, I will be spending some time with looking at how different performance aspects influence how sound really channels the text. I talked about this topic previously in my post on The Winter's Tale, with how setting influenced the actual meaning of the words being spoken.

Let's take a look at three different performances of Hamlet Act 1, Scene 2, each one with a different take on setting. It's interesting the way that the background details can change the very nuance of the sounds.